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It's time to elevate your cinematography with the NiSi Cinema 4x5.65" True Color Linear Polarizing Filter, expertly engineered to diminish glare and reflections from non-metallic surfaces. This high-quality filter enhances saturation and vibrancy in skies and foliage, ensuring an optimal color reproduction that stays true to the original scene. Unlike many polarizing filters that introduce a warming effect, our True Color PL technology eliminates this, providing a more accurate color representation.The NiSi Cinema 4x5.65" True Color Linear Polarizing Filter is equipped with advanced Cine seal technology. This feature blackens the edge of the glass, enhancing its durability and reducing the impact of temperature fluctuations. It also prevents condensation, ensuring your filter performs optimally in various weather conditions.Polarizing filters work by filtering out light that has become polarized due to reflection from a non-metallic surface. The sun's light naturally becomes partially polarized when reflecting off air molecules, resulting in what appears as haze. This filter arranges and filters this directionally polarized light perpendicularly to the reflected light, absorbing much of it. The result is a significant reduction in glare and reflections from non-metallic surfaces, and an increase in the saturation of skies and foliage. It also enables the camera to capture what lies beneath the surface of shallow water.The NiSi 4x5.65" range is designed to be compatible with all leading brands of matte boxes that accommodate the 4x5.65" standard. Adhering to the 4mm thickness standard, these cinema filters can easily fit into filter cages or slot into cageless designs. For your convenience, a leatherette pouch is included for safe storage and transport. For those with a collection of filters, a larger filter case is also available to organize and keep multiple filters at once. Experience the difference with the NiSi Cinema 4x5.65" True Color Linear Polarizing Filter, your partner in achieving professional-grade cinematography.

What is most important about cinema is that we are alive with it. For all its dramatic, literary, political, sociological, and philosophical weight, film is ultimately an art that provokes, touches, and riddles the viewer through an image that transcends narrative and theory. In The Horse Who Drank the Sky, Murray Pomerance brings attention to the visceral dimension of movies and presents a new and unanticipated way of thinking about what happens when we watch them.By looking at point of view, the gaze, the voice from nowhere, diegesis and its discontents, ideology, the system of the apparatus, invisible editing, and the technique of overlapping sound, he argues that it is often the minuscule or transitional moments in motion pictures that penetrate most deeply into viewers' experiences. In films that include Rebel Without a Cause, Dead Man, Chinatown, The Graduate, North by Northwest, Dinner at Eight, Jaws, M, Stage Fright, Saturday Night Fever, The Band Wagon, The Bourne Identity, and dozens more, Pomerance invokes complexities that many of the best of critics have rarely tackled and opens a revealing view of some of the most astonishing moments in cinema.

What is most important about cinema is that we are alive with it. For all its dramatic, literary, political, sociological, and philosophical weight, film is ultimately an art that provokes, touches, and riddles the viewer through an image that transcends narrative and theory. In The Horse Who Drank the Sky, Murray Pomerance brings attention to the visceral dimension of movies and presents a new and unanticipated way of thinking about what happens when we watch them.By looking at point of view, the gaze, the voice from nowhere, diegesis and its discontents, ideology, the system of the apparatus, invisible editing, and the technique of overlapping sound, he argues that it is often the minuscule or transitional moments in motion pictures that penetrate most deeply into viewers' experiences. In films that include Rebel Without a Cause, Dead Man, Chinatown, The Graduate, North by Northwest, Dinner at Eight, Jaws, M, Stage Fright, Saturday Night Fever, The Band Wagon, The Bourne Identity, and dozens more, Pomerance invokes complexities that many of the best of critics have rarely tackled and opens a revealing view of some of the most astonishing moments in cinema.

After the heavily cartoon- and slapstick cinema-inspired first adventures, Morris turned towards the tradition of Westerns to flesh out his hero’s world. In Under a Western Sky, Lucky Luke versus Pat Poker and Outlaws there is a lot of Hollywood and John Ford, and while Luke hasn’t quite settled into his current look, he’s certainly closer to the phlegmatic cowboy we know and love. Outlaws also marks the first appearance of the Daltons – the historical Dalton brothers here, who will later return as their decidedly stupider cousins. Throw in 48 pages of extra material on Morris’s experience in the United States, and this is a book you won’t want to miss.

After the heavily cartoon- and slapstick cinema-inspired first adventures, Morris turned towards the tradition of Westerns to flesh out his hero’s world. In Under a Western Sky, Lucky Luke versus Pat Poker and Outlaws there is a lot of Hollywood and John Ford, and while Luke hasn’t quite settled into his current look, he’s certainly closer to the phlegmatic cowboy we know and love. Outlaws also marks the first appearance of the Daltons – the historical Dalton brothers here, who will later return as their decidedly stupider cousins. Throw in 48 pages of extra material on Morris’s experience in the United States, and this is a book you won’t want to miss.